Archive for October, 2006

Oct 30 2006

Tales of the Hopelessly Homeschooled

Published by Rachel under publishing

Just thought I’d give y’all a sneak peek at the book I’m currently lining up for publication. My cousin Carolyn and I started writing it years ago–finishing it’s a little scary, but it feels good :). It is a collection of short, humourous essays reflecting on life in large homeschooled families, and it’s currently titled Tales of the Hopelessly Homeschooled. I don’t care for the title and plan to do something ingenius to fix it (involving YOU, O highly unaware world of homeschool families).

I had fun putting the Tables of Contents together with quotes from the chapters yesterday, so here’s a look at them:


Table of Contents

Introduction

Part One: Make Way for Livin’

1. Ontario: The Journey Begins

The peace was quickly shattered by a loud bellow, “Are there any more small stuffables? Last call for small stuffables! No? All right, then… EVERYBODY IN!”

2. We Wish You a Currey Christmas

No sooner was the tree decorated than it fell over, flooding the living room with the contents of the tree-bucket and breaking several ornaments. Oh, did I neglect to mention that my father was stuck underneath the tree?

3. Freezing At Eighty-Five Degrees

Polar bears, seals, and naked mole rats are suited to their environments. People are not.

4. Hobbits Shall Not Suffer Alone

It is a frightening thing to realize that one’s cousins and sisters do not need a wake up call. It makes one think of plots being hatched.

5. Can I Have…?

Babysitting is like playing tennis. The kids stand on one side of the net and fire requests, and the babysitter leaps, dives, and swishes to throw the answers right back before something unfortunate happens.

6. The Rutabaga Fest
We Thomsons descended on the world of trade shows like Attila the Hun with a sales pitch.


There is, of course, much more to come. I’ll be posting actual book excerpts here shortly, so check back or, better yet, subscribe to this blog (the link is on the right).

In other news, I’m thinking of moving this blog.

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Oct 27 2006

The Truth About Modern "Beauty"

Published by Rachel under Uncategorized

A friend emailed this to me today… it’s a one-minute video that’s definitely worth a look, especially if you’re a female who has ever seen a movie, TV show, billboard, magazine cover, glamour shot… actually, it probably wouldn’t hurt men to have a look, either!

Beauty Is In the Eye of the Beholder

Here’s to reality.

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Oct 25 2006

Writing Tips: Clarity in Word Choice (Say What You Mean)

Published by Rachel under Writing, Writing Tips

Never underestimate the power of one little word. A few letters here; a syllable there; but the difference between “Do feed the lion” and “Do not feed the lion” can’t be measured. It might, in fact, be the difference between life and death.

Good communication is important. Writers have a high place in the cast of history because they possess the power to communicate: their instructions, ideals, visions, and protests have changed the world more than once. The writing project you’re working on may not have the significance of The Declaration of Independence or The Gospel According to John, but if you’re going to write it’s important that you master the art of saying what you mean.

Two important tools can help you with this:

1. The Dictionary. If you’re not sure what a word means, look it up! Did you know that a casualty is a “person or thing injured, lost, or destroyed,” or that “taciturn” means “temperamentally disinclined to talk”? I’m fond of “lowering” skies, which are “dark, gloomy, and threatening.” Many of us pick up words through conversation or reading that we’re comfortable using, but can’t actually define. In writing, it’s often best to look these up. You may get the joy of discovering just how bang-on the word you want to use is!

2. The Thesaurus. These are even more fun than dictionaries. Maybe you’re describing a man who is “sulky,” but that isn’t quite the word you want. Look it up in the thesaurus and discover a new world of possibilities: perhaps he is glum, sullen, surly, morose; choleric, crabby, cranky, or cross; irascible, irritable, or just plain petulant.

Every word has its own shades of meaning. Choosing the right one will not only give your writing clarity, it will give it power.

Check back next Wednesday for “Say What You Mean: Part 2,” in which we discuss the insidious insipidity of “seems” and “like” and other words to be avoided.

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Oct 23 2006

home again, home again, jiggety-jog

Published by Rachel under Uncategorized

… and the long silence shatters. I’m home!

For the last almost two weeks I’ve been staying in a little wooden A-frame halfway up a wooded hill in New Hampshire, with a very dear friend, her husband, and their three little boys. (That is, I was when I wasn’t stuck in airports and flying to geographically illogical locations in the United States due to cancelled flights… okay, fine, it was ONE cancelled flight, but I think these things should be measured in emotional minutes)

It was an excellent time, which not only healed me of bronchitis and gave me a rest, but allowed me to reconnect with said dear friend and engage in many long and nocturnal conversations which I’ll be chewing on for a while. We traipsed through territory strange and wild, but do you know what the most exciting thing we discovered was?

It was the Gospel. The Good News of Jesus Christ, which is the power of God unto salvation to every one that believes. Over the past two weeks we got challenged to really believe what we believe. To take the Word of God and count it as reality. There was nothing precisely new in what we discovered, just the tremendous power of what God has done. Who needs “new” when the Gospel is eternal and unchanging and full of life?

My challenge to you today: remember! Remember the old truths on which your life is founded. Rediscover the power and love of God.

And if you don’t know the old truths, contact me… I’d love to share them with you!

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Oct 10 2006

Writing Tips: 5 Secrets of Highly Effective Proofreading

Published by Rachel under Writing, Writing Tips

No matter how nitpicky you are, errors in your writing will camouflage themselves. That’s why publishing companies spend a lot of money to have multiple people check and re-check the little details in every book they produce. Still, there’s no need to fear if you don’t have a professional team at work every time you jot down a memo. Here are some tricks I use for effective proofreading:

1. Give it some time. If you’ve written a short note that you want to check for errors, do something else for five minutes before you read it over again. If you’ve written an article or essay, eat lunch before you proofread… if a book, wait a month or so. When the words you meant to write are fresh in your mind, you won’t see the words you actually did write.

2. Take your time. Don’t speedread when you’re proofing. Skimmers never prosper.

3. Read out loud! I know, I know, if you mutter to yourself all the time you’ll look like a crazy person. But it’s worth it. Your ears will often catch what your eyes do not, so read under your breath when you’re looking for errors.

4. Check for homophones–”soundalikes.” I mark them in my students’ writing all the time, but they’re just as prone to show up in mine: here/hear, right/write, its/it’s, there/their/they’re, and all the rest of them. Put your brain on red alert for these, because we ALL type the wrong one now and again, and most of us won’t see it afterward if we’re not looking.

5. If it sounds wrong, check it. If a sentence sounds wrong to you, chances are there’s something off in the grammar. Don’t stay in a grey zone on this–learn what the problem is so you don’t keep making it. I recommend Strunk and White’s Elements of Style for the most common foibles.

That’s it for today… I’m off to do email for five minutes, after which I’ll come proofread these tips!

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Oct 09 2006

Taerith: Chapter Four

Published by Rachel under Uncategorized

Taerith’s fist clenched as he watched the crown prince and his men ride away, Lilia with them. His face was impassive. A strange, half-stricken expression in his blue eyes was all that betrayed the presence of emotion behind his gaze. For ten minutes he stood and stared down the road, its mists clearing away before the coming morning. He took a step forward, and then halted in visible confusion. His hand went to his head and he groaned.

Findal stood a few feet away, looking on with sage eyes. “Wait, boy,” he said. “Just a few more hours, and you ride with us. Unless you’d rather go the other way.”

Taerith shook his head, and turned to meet Findal’s eyes. “I’ll go with you,” he said.

Findal looked as though he wanted to lay a fatherly hand on Taerith’s shoulder, but he restrained himself with an instinctive respect. “You keep your own counsel, then,” he said. “It seems you always do.”

Taerith looked back once more, tracing the steps he had taken when his shadow still covered Lilia with his protection–tracing them to the empty horizon. The sunlight streaking the road was stark. He wished the moonlight back again, falling over whispered words.

Marta had not bothered to go back to bed. She was making sure the wounded bandits and guards were as comfortable as they could be. There was no room for them in the wagons; the troupe planned to send others back for them. They would reach a small hamlet before approaching the castle, and hoped to procure help for the men there. Randal proposed to stay and guard them until help came, lest they fall victim to others as unscrupulous as themselves. Neither he nor Findal would hear of anyone else staying: the troupe was needed to appear in full splendour at Annar’s castle. Besides, Randal’s sword had dealt many of the wounds he now nursed. He took a strange pride in watching over those he had trounced.

Taerith did not say a word as he helped hitch up the wagons and prepare for the day’s journey, but he worked with an intensity that made the others afraid to approach him. When Zhenya limped down to the river to fill a waterskin, he let his eyes wander over the bank. He wondered where Taerith and Lilia had sat–what they had said–if it was possible for men and women to fall in love in a single night. He dipped the skin into the water and reflected while the running water filled it. On his return, Taerith was mounting the red stallion. Zhenya handed the waterskin to him with his eyes full of admiration. The horse was a creature of the sun; Taerith a being of flint and forest. Zhenya’s heart longed to enter into something of their spirit.

Taerith saw the look in the boy’s eyes, eaten at the edges by the ever-present hunger in the thin face. He stretched out his hand.

“Will you ride with me?” Taerith asked.

Zhenya’s eyes widened. “I cannot ride him,” he said. “Sol is too mighty for me.”

“But we would be together,” Taerith said. “The strength of two, to pit against the might of one.” He stroked Sol’s neck as he spoke, fingers smoothing the horse’s silken fur.

A smile broke suddenly over Zhenya’s face, and he grasped Taerith’s arm. In a moment he had been pulled up and was seated behind Taerith. Sol snorted and pawed the ground, impatient to be off. Zhenya maneuvered his crutch until it lay in the crook of his arm, one end poking out near his chin and the other resting lightly on Sol’s right flank. From the head wagon, Findal drew breath enough to shout “Off we go!” They pulled away from the strange camp, leaving Randal with his long arm lifted in farewell.

In less than an hour they reached the hamlet, and Findal, Morris, and Orlin roused the populace with not a moment to spare–as much in a hurry to be off again for the castle as they were to send help to the bandits. Taerith watched them bang doors and loudly ring the bell in the square with misgivings. “They’ll run us off,” he muttered. Zhenya, whose hold on Taerith’s waist had lessened as he grew accustomed to Sol’s gait, replied, “They won’t. Findal has magic in him. No one runs him off.”

It was true. The initially irate villagers melted before the force of Findal’s breathless urges and hyperbole, and within the hour a party had been raised to return to the field and bring the wounded back–the bandits to die or stand trial, as they would; the foreign guards to be nursed back to health. Something twitched in Findal’s face as he heard the leaders say as much. “Well,” he said. “And mind that you treat all men as men. I misdoubt some of you may find friends among thieves.”

The speech was enigmatic enough, but even it seemed to strike a chord in the villagers. The leader of the men shot Findal a sharp look, and answered, “It may be.”

More than two hours past, the troupe once again put to the road. The wagons could not move as quickly as men on horseback could have, and it was another two and a half hours before the castle hove into sight. A stone fortress, it rose from the only hill in the district, impenetrable and stern. The country around lay low and dark, forest and swampland surrounding a few fields where serfs produced most of the produce that fed the king and his household. The castle itself was surrounded by a high, turreted wall, and behind this rose three towers. One stood higher than the rest, and at the sight of it Taerith’s face went ashen. He nudged Sol forward, and horse and riders flew past their companions. Findal watched them thunder past, and shook his head.

The road was full of travelers, heady with the atmosphere of celebration. Taerith urged Sol away from the road, into the fields, where his view of the castle was unobstructed and his mood unmolested. Suddenly he dismounted, throwing the reins to Zhenya, who caught them with a flash of worry on his face. Sol pranced under the boy, and Zhenya held on for dear life.

Taerith was not looking. He stood alone in the bare field, looking up at the grey walls and towers, lost in his own thoughts.

Zhenya let out a sudden yell, and Taerith turned in time to see the boy losing his seat. He rushed forward and caught Zhenya before he fell, propping him back up.

“Forgive me,” he said.

Zhenya shook his head, but his eyes did not meet Taerith’s. “Sol will not hold for me,” he said. “Strength does not like weakness. I have learned that.”

Taerith looked Zhenya in the eye. The boy’s words had kindled something in his own eyes. “There is more than one kind of strength in the world,” he said. “One may be weak in body, or in courage, and yet have a strength of imagination and virtue that makes mortals pale. Learn that, if you want a lesson.”

Zhenya raised his eyes to the castle walls. “The wedding will be soon.” He was not sure why he said it.

In answer, Taerith remounted. “Findal will be missing you,” he said. Both knew he was talking to the horse. They rode back to the others just as the gates of the castle were raised to admit them.

* * *

Lilia stood in a gown of white, outlined by the grey stones that formed the edges of the tall window in the highest tower of the castle, looking down on the stream of newcomers to the feast. It seemed strange to her that they should all come to witness her marriage–she who had lived most of her life in high towers, kept away from the world and all its concerns. She tilted her head slightly as she stood, the fingers of her left hand resting gently against the stone, and tried to make out the faces and characters of people who were little more than moving spots of colour on the ground. Wagons and horses, men and women, freeborn and slaves.

A wind came in through the window, stirring Lilia’s long black hair. Three maids had combed it until it shone. It fell in long tresses to her waist, the blue sapphires and deep red garnets the maids had fastened in it catching the faint snatches of sunlight that fell through the window. The wind was cold, but Lilia hardly noticed it. She had lived so long in high stone places that cold was as natural to her as moonlight, a part of the dreamworld that had always belonged to her.

She turned away from the window, and caught sight of herself in the mirror across the circle of the floor. She dropped her eyes a moment later and returned to the window. She was beautiful; she knew that. She thought–hoped–that her husband would find her acceptable. She feared his eyes more than the eyes of the gawkers who came to by droves to the celebration, more than the cold dark eyes of Borden that had bid her no welcome though she would soon call him brother, more than the eyes of the bandits in the darkness who had threatened her with death or a worse fate only the night before. She feared Annar’s eyes, because in them she would see love or indifference, and between those two alternatives hung the form and hue of her life to come. Once she knew, she would live with all the courage she could muster. It was the not knowing that strained everything in her.

She had not yet met Annar. When she had arrived in the dark hours of the morning he had not been there to greet the returning party. No one had told her, but she heard them: heard their low, mocking voices. The king had been drunk and would not rise long before the wedding. I wonder, she thought. How much can you read in a drunk man’s eyes?

There were tears in her eyes. She was not sure how they had gotten there. She raised her hands before her face and let the tears fall on the white lace of her sleeves. Tears made such a small stain. Surely no one would ever see. Perhaps, after all, the tears would be for nothing.

Beyond the fields around the castle the dark fens lay, blotting out the landscape for miles around, criss-crossed by roads that were torn from the swamps and upheld by hard labour and pain. Farther away, Lilia could see the beginnings of the moors, and there, glinting under the sun’s searching rays, the river. Grey-blue eyes appeared before her face: Taerith’s eyes. She shuddered and turned from the window. There was a bed in the tower room; she made her way to it, and sat with her head bowed so that she need neither look at the world without or her reflection within. She feared herself just now.

A sharp rap at the door put Lilia’s heart in her throat. She rose, smoothing her skirt with trembling hands. A thousand nights at home she had dreamed of a knock at the door and all that it could mean: the mysterious strangers, the legion of adventures that might ever wait on the other side. But the servant who entered, head bowed and voice mumbling and low, carried with her nothing of promise.

“You are wanted below, my lady,” the servant said.

Lilia smiled at the woman, hiding her feelings as best as she could so the servant wouldn’t feel uncomfortable. “Let me follow you,” Lilia said. “If I try to find my way alone I will be lost.”

The woman lifted her eyes to Lilia’s face for a moment, but no emotion in them responded to the plea in the young woman’s tone. She simply nodded and turned to go. Lilia squared her slim shoulders, picked up the hem of her dress, and began her descent from the tower.

Steep stone steps led downward in a sharp spiral, a close, colourless passageway that existed only to transfer travelers from one little world to another. Lilia had often thought of such passages that they did not have any claim themselves to placehood. They led to places full of memories, warmth or cold, horror or happiness, but they were only stretches of grey limbo without sympathy or character. But into what very different worlds they might lead! Her hand trembled as she reached out to steady herself on the stone. The servant woman did not look backward at her. Lilia had hoped that the woman’s presence would make her feel a little less alone, but her hopes were as futile as the spiraling stairs were unflinching.

The descent took them down to the realm of celebration. From somewhere below Lilia heard shouts and cheers. Her cheeks coloured–she heard Annar’s name in the chorus. He had presented himself to his people. She would be next.

The noise grew louder with every downward step. She felt faint, and tried to calm the fluttering in her stomach by smoothing the satin of her gown over it. At last they were plunged into it; they were on a level with the crowd; the new world was just on the other side of a wooden door. Lilia closed her eyes, drew a deep breath, and heard the creak of the hinges as the servant woman threw the door open. She stepped out into the open air, under the shadow of an awning.

Immediately the old woman was replaced by new attendants, young and fair, with their arms full of yellow blooms and their cheeks flushed and rosy. In their midst Lilia looked like a pale slender flower grown from the frost. The crowd hushed as she stepped out from the shade of the castle into the cold winter sun. They had formed a close-packed circle around a polished platform, built by the king’s men at the entrance to the small chapel in one corner of the courtyard. The crowd filled the courtyard to its very edges. Young boys perched in the few trees that graced the ground, weighing down the branches like an awkward flock of adolescent cranes. Others had climbed the steps that led up to the castle wall, and used the stairs as precarious seats while guards patrolled the parapet above them. The rich stood nearest the platform, with military men and representatives of Mother Church, while the poorest tried to worm their way closer. Many stood outside of the castle walls altogether, and crowded the road.

Annar, sovereign of the castle and its varied lands, lord of fens and fields and moors, stood on the platform with his hands neatly tucked one in the other. He was a well-built man, not tall but broad-shouldered, yet his frame seemed slack next to his brother’s. His neatly trimmed beard was heavily flecked with grey. It covered a face that beamed with pleasure now, but lacked any firm lines to tell its usual wont. He wore a suit of red and purple, trimmed with fur, and the crown on his head was lined with ermine.

The young, frail thing who came to meet him did not lift her eyes as she approached. He held out his hand and she took it, and dropped into a deep curtsey. He smiled, nodded, covered her hand. She rose and was drawn closer to her master. The voice of the visiting bishop began to drone out the wedding rites.

In the crowd, a thin boy leaned on his crutch and looked up at the faces on either side of him: one a woman’s, matronly beauty bent in a compassionate frown, and one an inscrutable young man’s. Neither of them had said a word and their silence was enough to drive Zhenya mad.

“Someone should stop it,” he said out loud. He didn’t think anyone else would hear him.

Marta nudged him. “Hush, child.”

Taerith only turned and looked at him. Zhenya saw it in his eyes–he agreed. Taerith turned back to the ceremony, and the look on Marta’s face stopped Zhenya from speaking again. He looked back up at the platform, the king, and Lilia. Her eyes were still cast down. Zhenya’s heart went out to her. He knew what it meant when you didn’t meet anyone’s eyes… he knew what it meant when you didn’t have any say in what happened to you. If he had had Taerith’s strength, he thought, he would have leaped onto the stage and saved her.

Of course, if he had been Taerith, he would have loved her, and even though he was fairly certain Taerith did, the silent young man had said nothing of the sort. He wanted to ask him, but he bit his tongue. The bishop’s voice rose above the crowd again. They were making their vows now.

And then Lilia faltered. Her eyes lifted and scanned the crowd. She was looking for someone. Her eyes met with another’s in the crowd–Zhenya looked up; he was sure it was Taerith who spoke silently to her now. For a bare moment she smiled. In the next instant the question had been asked. Lilia turned her eyes to the man who held both her hands. The crowd grew dreadfully silent, and her voice could be heard–quavering a little, but clear. “I will,” she said, and her doom was sealed.

* * *

From a distance the castle seemed to buck and heave with shadows in the torchlight. Within and without the walls the celebration raged, much as it had for days: drunk, heedless of much other than its own pleasures. Borden walked through the crowd and despised them all. They grasped at the king’s marriage as an excuse for celebration, but they had no real cause to celebrate. The girl Annar had taken to himself would make no real queen. He knew a little of her–she was an oddity among women, brought up by a strange and reclusive father who kept his daughter locked away from the world, in the company of sparrows and a rare collection of books. She knew nothing of the real world, nothing of politics, nothing of harsh reality. She was beautiful, which was what Annar wanted, so she would sit as an ornament by his side until he tired of her.

Borden moved along the wall of the courtyard, his steps growing faster as he went. He had no where to go, but his thoughts drove him to keep moving. It was wrong–it was so horridly wrong. His brother had married a lovely misfit, and for all her unsuitableness she would likely fulfill her main duty: she would give Annar a son, so the damage wreaked by their family could continue on another generation.

A shout of laughter rose up from the crowd. In the center of the courtyard a group of performers plied their tricks. Borden leaned against the wall and peered through the mass of bodies to the gangly freak who twisted himself in a knot to the exclamations of the drunkards who looked on. A short, bald man with impossibly large arms hoisted the fellow in the air as though he was a feather and tossed him from one hand to the other. The crowd laughed and catcalled in appreciation. The circus had performed earlier for the king and his bride, who had disappeared an hour since. They continued now because the onlookers still loved them, and those with money to waste still tossed it to those who worked the edges of the crowd: a wheezy little man, a cripple, and a tall, good-natured sword swallower.

“Enough,” Borden said to himself. “I grow weary of this foolishness.” He turned to go–up the steps to the parapet, where he so often went to look over life and surmise its grim future, when a sudden clatter near the back gates drew his attention. He heard laughter and drunken shouts, but there was anger in some voices, and the sounds of a scuffle. He put his hand to his sword and ran to the gate, signalling several of his men to follow him.

He was not prepared for the sight that met his eyes. A gang of young ruffians were making their way into the gate, shouting and waving their caps, calling the attention of the crowd to a cloud of dust and confusion just beyond the castle walls. Borden caught sight of stamping hooves and a wildly tossing head, caught and bridled with a length of rope at which seven young men were straining, the foremost of them half laid in the dirt. Three of the white legs, thick with long grey hair that grew over the hooves, had been likewise lassoed. The animal neighed wildly and snorted; its white sides heaved with sweat and dust. The creature’s head tossed again, and Borden saw the long horn glitter in the torchlight.

A unicorn.

“Here!” one of the young hooligans shouted. “We’ve caught us a gift for the king!”

“Fools,” Borden said. He held up his hand, calling his soldiers up short. They had been about to run into the fray. “Let us see what they do,” Borden said. The crowd had moved in all around, but they moved back skittishly as the young men managed to wrestle the unicorn in through the gates. There was a scream, and one of the ruffians fell heavily to the ground, his side slashed and bleeding copiously. One of his companions grabbed him by the ankles and pulled him out of reach of the stamping hooves.

Borden saw the victim’s face as he struggled to his feet. It was ashen and angry. Likely he was the leader of the gang, and the unicorn had given them more trouble than they counted on–more the fools they, for any idiot knew better than to tangle with the untameable beasts. Breathing heavily, the young man snatched up a spear from a guard who stood close by.

“We’ll have its head, then!” he shouted.

He drew his arm back. In the next instant, Mirian had snatched the spear from him. She snapped the spear in two and turned on the lad. “What manner of beast are you?” she demanded. “Let the creature go!”

The ruffian’s face grew angrier still. He was still bleeding, and he stood clutching his side and trembling. His face shone; he had been drinking.

Mirian’s words galvanized the crowd. They had been too drunk and too shocked to act before, but when the voice of sense fell on their ears they recognized it. Many of them raised their voices in assent. “Let it go… free the beast!” Unicorns, rare, beautiful, and unpredictable, were held in a kind of awe half-sacred and half-superstitious. They were said to be the harbingers of disaster, or of luck, or of otherworldly interference. The sight of the unicorn, lashed and lassoed, standing within the gates of the castle with its sides flecked with sweat and blood sobered the crowd. Some of the boys who had clung to the ropes ensnaring it drew away now. Others surged forward, blood running hot, to take their places. The circus performers had by now come to the scene, and they took it upon themselves to drive the more hot-headed of the crowd back again, away from the unicorn.

And then a boy stepped out of the crowd: the cripple who had solicited money for the circus. He held a bucket of water and a sponge, used for horses many times before. Without a word he limped toward the unicorn. He was a thin waif, Borden thought, with a curiously fearless expression on his hungry face. He ignored the young hooligans who reached out to stop him–they did not touch him, for his circus fellows were quick to stay their hands. The unicorn stood panting as the boy approached. It snorted, and for a moment it seemed as though it would rear up. Instead, it plunged its nose into the bucket and drank deeply. The boy hesitated a moment, and then laid his hand on the creature’s blood-streaked mane. There were tears in the cripple’s eyes as he stroked the unicorn’s neck.

Borden fought to keep a sardonic smile from his face. Something mythic was happening between boy and beast–they were bonding. It happened once in a lifetime, and ruined any hopes the ruffians had for making a glorious martyr of the unicorn. The creature would be tamed now. It would belong to the circus. If anyone tried to separate it from the boy, it would die. So all of the effort the fools had put into dragging the beast to the castle in the hopes of making themselves heroes and mighty hunters had gone to increase the power of a traveling circus to attract passers-by and their coins. It served them right.

Apparently the same thing had occured to the gang of ruffians. Most of them had relinquished their ropes and gathered around their leader, whose angry tone could be clearly heard though his words were thick with pain. Borden sank back into the shadows and sought out the bloodied warrior’s face. His eyes were dark with anger, and they were fixed on Mirian. One by one, the eyes of the gang turned to the same place: Mirian, who still stood at the fore of the crowd, her hair blazing under the torchlight, her stance tall and proud as ever. They were angry. They knew better than to tangle with the unicorn now: it had a boy to protect, and would be three times as fierce as it had been before. Besides, the crowd had taken the unicorn’s side.

But Mirian stood alone, and they would hold her responsible. After all, had she not wrenched the spear away and chided the leader of the gang as though he were a child, the unicorn would not have had a chance to bond.

Borden’s hand tightened on the hilt of his sword as the young men slowly gathered around Mirian, but he did not draw it. He wanted to see what she would do. He told himself that he would not let her be abused too harshly–he wanted to see her blaze to life in her own defense, and best them all.

One of the ruffians reached out and shoved her. Her eyes flared up and she shoved back. One of them grabbed her by the hair; she drove her elbow into his stomach and threw him to the ground gasping for breath. They began to attract the crowd’s attention now. Light glinted off of a knife blade. Borden started forward.

The young man raised his knife just as Mirian was occupied with two others who tried to hold her down. Borden’s heart suddenly beat faster, and he broke into a run. He needn’t have. A young man stepped out of the crowd and grabbed the knife-wielder’s wrist, twisting it until the boy dropped the knife with a yell.

The young man held a sword in his hand. He came to Mirian’s aid with the flat of it, and drove off her assailants. Borden’s eyes narrowed. He had never seen the fellow before. He was tall, but not remarkably so, well-built and strong, but not more than other men. His hair was dark; there was something of flint in his face. He raised his voice and addressed the ruffians in a clear, strong tone.

“You will put down your weapons,” he commanded, “and leave the girl alone.”

“She’s a meddling slave,” the bleeding leader spat. “We’ve a right to teach her a lesson.”

The young man’s eyes flashed with anger. He seemed to get his words out with effort. “You have no right,” he said.

The leader of the ruffians laughed. He scoured the crowd with his eyes, and they grew uncomfortable. Many of them knew him; he was a leader among the common people, young as he was. “Will you stand for this?” he said. “A slave accosts me, and I’m not to have vengeance. What will you say when the beasts of burden turn on you?”

The young man’s face grew pale with anger, but he contained it marvelously. Mirian did not speak; she was watching her rescuer intently. Borden saw that she was favouring her right arm; after all, she might have been hurt in the scuffle. The young stranger took in the effect of his opponent’s words on the crowd, and realized that he might not win by appealing to their better natures. They were unsettled by all that had happened, and were prone now to assert themselves as lords over something–over Mirian, as nothing else presented itself to be abused.

“You will not touch her,” the young man said. “She is the queen’s personal attendant. Would you anger your king on the night of his wedding?”

Borden let go of his sword hilt. The crowd was bested, ruffians and all. He smiled as he stepped out of the crowd. Mirian’s eyes went to him immediately. There were words in her eyes, and he wanted to hear them–but not now.

“You heard the stranger,” he said. “Be off with you, all of you. Go back to your celebrations, and leave the queen’s maiden alone.” His dark eyes bored into the leader of the gang, who still stood clutching his side, livid and frustrated.

“Get yourself home,” he said. “Tend to that wound, and count yourself lucky–the beast might have killed you.”

The leader bobbed his head in abeyance, and limped away.

Borden held out his hand to the young stranger who had come to Mirian’s rescue. “I am Borden, the king’s brother,” he said.

The young man took his hand at the elbow. “My name is Taerith Romany,” he said.

Borden’s eyes narrowed as he looked the young man over. “Yes,” he said, “I recognize you now. You were among the queen’s rescuers.”

Something flickered in Taerith’s eyes, but he covered it well. “I had that privilege, yes,” he said.

“You must enjoy coming to the rescue of hapless women,” Borden said. He saw the way Mirian stiffened, and enjoyed it. He looked at her, sported with her for a minute as she fought to hold her tongue. “Go on, girl,” he said. “Make yourself presentable. Your rescuer has given you a fine position, and you’ll take it. The queen will have need of you tonight. Go! Report to the head steward.”

Mirian gave him one last resentful glare and turned on her heel. Taerith and Borden watched her go.

“They had no right to treat her that way,” Taerith said. “She seems a brave soul.”

Borden nodded. He held back the words on the tip of his tongue and said instead, “I do not pretend to account for the ways of the world–why she is a slave, and others are not.”

Taerith gave him a curious look. The crowd was dispersing around them, leaving even the sight of the unicorn and the cripple for another day. The members of the circus had gathered around the bonding pair, who still stood close together.

“You ask these questions?” Taerith asked. “Not many do.”

“It is simpler to take life for granted,” Borden said.

“Do you hold with the practice of slavery?” Taerith asked.

Borden laughed, a low laugh. “Bold questions you ask, but I give only guarded answers.”

“You are wise, then,” Taerith said.

Borden raised his sword arm and gestured toward the circus. “You traveled with them last night,” he said. “Are you among the company? You hardly look like a freak.”

Taerith coloured slightly. “They have been good to me,” he said, “but I have not settled my way.”

Borden almost surprised himself with the words that came from his mouth. “Stay here, then,” he said. “Join my guards. You have a clear head and a strong arm; we could use you.”

Taerith visibly started. Borden tried to puzzle out the emotion in the lad’s face, but he could not. Taerith, in his face and voice, gave only guarded answers.

“Think on it, at least,” Borden said. “Surely it will be several days before your friends move on.”

Taerith nodded. “I will,” he said at last. “Thank you.”

The courtyard, on Borden’s orders, had nearly cleared. The crown prince nodded in satisfaction and turned to make his way to the wall at last. Just as he began to mount the steps, he looked back. Taerith had joined the circus performers, and together they were crossing the courtyard. The unicorn walked behind the crippled boy, docile as a lamb, and Taerith walked by the child’s side. He was silent.

Strange boy, Borden thought. Inscrutable the stranger was, but Borden was sure he knew one thing already–Taerith would stay.

* * *

Copyright 2006 by Rachel Starr Thomson. Do not reproduce without written permission of the author.

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Oct 06 2006

fearless foundations

Published by Rachel under Uncategorized

Commenting on the Amish shootings yesterday, Spunky Homeschool said,

“When we made the decision to homeschool, school safety was hardly a factor. But if we were faced with making the decision to homeschool today, I am sure their safety would definitely weigh heavily in our minds. And not just from the physical harm they may face, but from the perspective of what type of environment my children are presented with on a daily basis.”

Childhood lays the foundation for the rest of our lives: that’s why homeschooling is so important. We have a few foundational years in which our perceptions, reactions, and values are shaped. For good or ill, these things will remain with us for the rest of our lives. They may drag us down or spur us onward, but they will always be there.

One of the materials that so often gets into the mortar of the early years is fear. Enough of it will weaken the whole foundation. Fear of rejection of capricious and shallow peers… fear of bullying, marginalization, and ostracism… fear of being shot when you walk in the door. Sending children out to be guarded by teachers and police officers, away from their fathers (their God-given protectors) and mothers (their God-given comforters) is not a good way to lay a foundation of confidence and fearlessness.

Just as memories of happiness and peace give us courage to face sorrow, so a foundation of parental protection and care, safe under the wings of home, gives us courage to overcome the dangers of adult life. One who has not been given this foundation has a much harder road to walk.

Like Spunky says, it’s not just about physical harm. It’s about the environment children are in every day and how that environment is shaping them as human beings.

This isn’t a condemnation of parents who send their kids to public schools–though if any of this leads you to rethink that, I would be honoured–but a call for us to think about foundations. Everyone who has influence in a child’s life, and that means parents above all others, should think about the foundation they’re laying. Does your way of life cast out fear, or invite it in?

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Oct 05 2006

Writing Tips: Show, Don’t Tell

Published by Rachel under Writing, Writing Tips

My apologies for getting this tip up a day late… I’m battling the combined invasion of travel, computer problems, and bronchitis. We shall triumph!

“Show, don’t tell” is the first rule of good narrative. As a writing coach, I repeat it about thirty times a week. The art of showing–of giving readers eyes and ears and allowing them to live in a scene that you have created–is what sets narrative apart from other forms of writing. It is behind the phenomenal success of the novel, and ensures that writing will always be the most powerful way to communicate a story.

Over time, “showing” becomes an instinct. In the beginning, most of us need to work at it. There’s a certain magic to it that’s hard to break down and analyze, but at its nitty-grittiest showing is a matter of choosing your words wisely: specific nouns, descriptive verbs, and evocative adjectives and adverbs.

Let’s take “The woman pet the dog” as our example sentence.

1. Nouns. You’ll feel quite differently about the woman if I call her a “noblewoman,” a “sprite,” or a “hag.” Likewise, “dog” calls up quite a different mental image if I change it to a “mutt,” a “wolfhound,” or “her faithful sheepdog.” Always be specific when you name things, and pay attention to the mental images each name creates.

2. Verbs. “Pet” will do for communicating action, but “stroked,” “tousled,” or “gently caressed” will do a good deal better. When you write descriptive verbs, go for the unexpected. How do we feel about a hag who gently strokes the sheepdog at her feet, or the noblewoman who tousles a mutt’s ears when no one’s looking? When you show rather than tell, you’ll find a thousand opportunities to betray character.

3. Adjectives and Adverbs. I love adjectives. Adverbs should be used sparingly: if your verbs are strong enough, they won’t need them. But a few well-placed modifiers will do a lot in creating a vivid scene. Is the woman beautiful and the dog ugly, or the other way around? Is her hand shaking… is the dog whimpering?

“Show, don’t tell” will serve you faithfully through any sort of story. Lord Byron said “Words are things.” Make sure the things you create are full of substance and life, and readers will hunger for more.

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